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IN PRAISE OF THE MOVIE CLASSIC
"THE MALTESE FALCON" (1941).
Some professional movie critics have labeled John Huston's "The Maltese Falcon" as the greatest movie of all time. I will not argue against that accolade. It is masterpiece of acting, mood conjuring, witty bantering, and psychological agonizing. As for story-telling, it is just okay, but that is to be expected from detective stories. The climatic scene of the big reveal of the statuette contains a goof (really, an omission) which the director tried to fix in post production. However, the botched scene is not of import, since the audience had already figured out the that statuette was going to turn out to be phony, anyway. I think the the last line, "It's the stuff dreams are made of" is okay, but not earth shaking. What amazes me the most are the acting performances of Humphrey Bogart and Mary Astor. When Mary is in the scene, Bogey is always in it as well. The subtlety which Ms. Astor displays in shifting between demeanors of feigned innocence and confessed duplicity are astounding. She rightfully maintained that the Oscar which was awarded to her for her 1941 film work should have been for "Falcon" rather than for the other movie which ushered her win. Bogey excels in all of his scenes, those with Ms. Astor and those with the other characters, which range from police officers, prosecuting attorneys, and, of course, the bad guys. His scene near the end wherein he basically performs a soliloquy and references a ledger with two columns, one for the merits of breaking the law and protecting Ms. Astor's character, and the other for turning her into the police, is soul crushing. As for the other actors, Lee Patrick as Bogey's secretary makes me smile. She is hot, especially because of her voice. Peter Lorre and Sydney Greenstreet are quintessentially villainous. Elisha Cook, Jr., is given a fleshed-out hit man role which he aces, despite the fact his is given next-to-no dialog. The good cop - bad cop team of Ward Bond and Brandon MacLane hits the right notes. John Huston put together a quick-witted screenplay. Also, he executes brilliantly in what is his first directoral outing. The premise (taken from the novel) of hunting for a centuries-old jewel encrusted statuette is silly. Logically, the gems would have been pried off and sold long ago. However, audiences knew not to take this aspect of the plot seriously. As Alfred Hitchcock explained, such "McGuffin" devices are used simply to drive the rest of the movie, which is to be judged for merits much more impressive than the mediocre back story. In all, the movie is an essential component of American cinema heritage. The theme of conflict between love and duty holds up well. I have gone to sleep thinking of my affection for the movie. In that sense, it is indeed the stuff that dreams are made of.
John Fray, April 9, 2026
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